The curves / X-Y position are stored when you save a patch.ĭestination: Each incoming performance controller can be routed to two synth parameters. The X-Y graph doubles as a handy on-screen X-Y pad for generating X-Y control messages. With the exception of X-Y, dragging a graph adjusts the response curve for the associated performance control. Graphs / Sensitivity Curves: Each performance control type has a panel that visualises its most recent value, in realtime, as a marker on a graph. X responds to CC-113 Y responds to CC-114. X-Y: Receives the dual messages from an X-Y touchpad or joystick controller. You can think of this as the opposite of note-on velocity. The faster you release a key, the higher the note-off velocity value will be. Note Off: ( aka “note-off velocity”, “lift”) Although rarely utilised, most keyboard controllers measure how quickly you fully remove your finger from a key. When playing polyphonically, such that different fingers may be applying different pressures, only the highest pressure value will be received. Pressure: ( aka “aftertouch” or “channel pressure”) The value of this control message is determined by the amount of pressure being applied to a key or pad whilst it is held down. Slide’s behaviour can be switched between relative and absolute modes. Slide: Responds to note-specific CC-74 messages received from MPE-compatible controllers. Note On: ( aka “note-on velocity”, “velocity”, “strike”) The value of this controller message is determined by how hard you strike a key on your keyboard (or other performance device). Lower notes produce lower values higher notes produce higher values. Keyboard: ( aka “keyboard tracking”, “keyboard follow”) The value of this controller message changes depending on the pitch and position of the note you play. Wheel: Receives the controller messages from your keyboard’s (or other performance device’s) modulation wheel. And, despite its huge sonic power, Megalit is super-efficient on your system, leaving you with plenty of headroom for running additional instruments and effects… or, better still, more instances of Megalit!
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